@20 minutes ago with 738 notes

thefleshcathedral:

"Pigs" from Puce Mary’s Persona, one of her handful of releases out this year. Slowly building death industrial, displaying her penchant for constructing ominous, heightening atmospheres.

(via petite-zentropiste)

@1 hour ago with 22 note and 50 play

(Source: rawrrawrbear920, via nosdrinker)

@13 hours ago with 13048 notes

riseofthecommonwoodpile:

A thing that Green Day and Henry Rollins (and most white punk guys tbh) share is that they never emotionally matured past like age 18 because they were in an environment that rewarded their immature but passionate anger and negativity, so now you’ve got a whole generation of 40 year old white punks who are just embarrassments in everything they do

Guys like Henry Rollins have basically never had to develop critcal thinking skills b/c they could pretty much say whatever they wanted, regardless of how absurd it is, and people would agree w/ them b/c they’re angry white guys in the hardcore scene and therefore have enough social capital that people won’t challenge them on anything, and i think its both kind of hilarious and kind of sad that people still look up to men like him.

@13 hours ago with 1042 notes

(Source: venturesounds, via averyterrible)

@14 hours ago with 1011 note and 9514 play
#eat the pinnies 

notalkingplz:

September Song — Django Reinhardt

@20 minutes ago with 45 note and 285 play

"

We’d probably have to begin by recognizing that there are two critical elements here that, while linked, need to be formally distinguished. The first is the process of imaginative identification as a form of knowledge, the fact that within relations of domination, it is generally the subordinates who are effectively relegated the work of understanding how the social relations in question really work. Anyone who has ever worked in a restaurant kitchen, for example, knows that if something goes terribly wrong and an angry boss appears to size things up, he is unlikely to carry out a detailed investigation, or even, to pay serious attention to the workers all scrambling to explain their version of what happened. He is much more likely to tell them all to shut up and arbitrarily impose a story that allows instant judgment: i.e., “you’re the new guy, you messed up—if you do it again, you’re fired.” It’s those who do not have the power to hire and fire who are left with the work of figuring out what actually did go wrong so as to make sure it doesn’t happen again. The same thing usually happens with ongoing relations: everyone knows that servants tend to know a great deal about their employers’ families, but the opposite almost never occurs. The second element is the resultant pattern of sympathetic identification. Curiously, it was Adam Smith, in his Theory of moral sentiments (1762), who first observed the phenomenon we now refer to as “compassion fatigue.” Human beings, he proposed, are normally inclined not only to imaginatively identify with their fellows, but as a result, to spontaneously feel one another’s joys and sorrows. The poor, however, are so consistently miserable that otherwise sympathetic observers face a tacit choice between being entirely overwhelmed, or simply blotting out their existence. The result is that while those on the bottom of a social ladder spend a great deal of time imagining the perspectives of, and genuinely caring about, those on the top, it almost never happens the other way around….

Now, in contemporary industrialized democracies, the legitimate administration of violence is turned over to what is euphemistically referred to as “law enforcement”—particularly, to police officers, whose real role, as police sociologists have repeatedly emphasized (e.g., Bittner 1970, 1985; Waddington 1999; Neocleous 2000), has much less to do with enforcing criminal law than with the scientific application of physical force to aid in the resolution of administrative problems. Police are, essentially, bureaucrats with weapons. At the same time, they have significantly, over the last fifty years or so, become the almost obsessive objects of imaginative identification in popular culture. It has come to the point that it’s not at all unusual for a citizen in a contemporary industrialized democracy to spend several hours a day reading books, watching movies, or viewing TV shows that invite them to look at the world from a police point of view, and to vicariously participate in their exploits.

"

David Graeber, The Dead Zone of the Imagination

This is why that article in the Washington Post by cop Sunil Dutta sounds so exasperated. It’s the usual “I’m a lowly bureaucrat, despite the control I have over your life. If i bother to take my blinders off and treat you like a human being, I’ll get fired. Why can’t you understand that and empathize with me like all the other good Americans who watch CSI and Sherlock and understand what being a cop is about?”

(via antoine-roquentin)

(via quoms)

@8 hours ago with 32 notes

hifructosemag:

Mark Gmehling’s 3D-rendered creations are instantly recognizable for their playful textures: rubbery legs that weave and stretch; gummy bodies that bounce off the floor; goo that drips and metal that glimmers. The artist (see our extensive interview in our current issue, Hi-Fructose Vol. 32) began as an analog illustrator and even cites graffiti as an early influence. These days, his digital illustrations lay the groundwork for prints, murals and sculptures. Gmehling has an exhibition titled “Plastic” opening tonight at RWE in his hometown of Dortmund, Germany filled with satirical, off-kilter pieces. More on Hi-Fructose.

(via cuzin-ichigo)

@13 hours ago with 427 notes

quoms:

every time i hear or read what henry rollins has to say i get the exact same sensation as seeing an unsolicited dick pic

@14 hours ago with 134 notes
#tru 

creepypasta

spacetwinks:

on one of my first dates with a dude years ago he insisted on taking me to see the live action avatar the last airbender movie in theaters

he apologized a lot

@14 hours ago with 52 notes